IC 814: The Kandahar Hijack

Imagine a situation when a short duration flight becomes a 8 day nightmare, because of dangerous hijackers. Lives of everyone associated with us, directly or indirectly, would get impacted. This six episode webseries recreates a true incident of a plane hijack from December 1999. A pack of terrorists manage to smuggle arms into Air India flight no. IC 814 from Kathmandu to Delhi, in a bid to free their fellow criminals who had been captured by Indian soldiers. The events are portrayed in a realistic manner.. how the terrorists hold the team of pilots at gun point and force them to follow their instructions. The terrified passengers are also subjected to lot of difficulty with overflowing toilets, limited food and water – two passengers are even injured seriously.

On learning of about limited fuel availability, the terrorists are forced to allow the flight to land at various cities. While senior Government officials of various agencies take critical decisions, newspaper and TV channels cover this incident with passion.

The casting is done very well, along with their makeup. Every scene looks realistic. Vijay Varma looks dapper as Captain Sharan Dev. Dia Mirza is almost unrecognizable as a senior media professional, whereas Naseeruddin Shah, Pankaj Kapoor, Arvind Swamy, Kanwaljit Singh and others have done justice to their roles. 

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Phir Aayi Haseen Dillruba

Tapsee Pannu and Vikrant Massey come back on screen as Rani and Rishu, to tell you about their life post their escape from police. A surprise addition is Sunny Kaushal, who plays the role of Abhimanyu, a compounder. He is totally smitten by Rani and much to his own surprise, he gets married to her. However, he discovers that she is not only married, but her husband is also alive, living in the same town, under the pseudonym of Ravi. Jimmy Shergill also comes back to screen as the persistent cop, who has personal interest in uncovering the truth behind the crime the lead pair had committed in the prequel.

The twist in the story is introduced midway – the apparently simpleton guy is a psychopath in reality, who would go any lengths to punish betrayals. This movie revolves around Sunny Kaushal, his passion for Rani and how he helps her and Rishu to escape from claws of police, just to see her happy, and hoping against hope that she would choose him over her previous husband.

For me, this was a great movie and a befitting sequel, albeit a few badly written dialogues and loose ends. Great acting by Sunny Kaushal and Jimmy Shergill, very beautiful Tapsee, except her overly done floral hair do-s, are key things to look out for.

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Haseen Dillruba

A good plot to keep you hooked to the movie till the very end. This is an apparently simple tale of love, which is moulded on the lines of a crime thriller. Vikrant Massey plays the role of Rishu, a simple guy who gets married to an incredibly beautiful girl, Rani (Tapsee Pannu). While they are in the process of getting to know each other, enters a very handsome cousin (Neel, played by Harshvardhan Rane). A short fling and he is gone. Rani confesses about her extramarital affair to Rishu, who cannot accept the pain of being betrayed. You should watch out for this segment, when Vikrant has done most of the emoting with his eyes. Gradually things start getting better between the two – when Neel resurfaces, and the past comes back haunting Rani and Rishu.

Big shoutouts go out to the performances of all actors, who bring the characters to life. Vikrant Massey showcases his acting abilities as he transforms from a reserved guy from a small town to an insane lover. The support cast have also done their job well. Initial awkward moments after marriage have been portrayed realistically, adding a subtle comedy element. You’ll love the movie right from the start – and the ending would leave you looking forward to its sequel.

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Maharaja

A much hyped movie, I thought, maybe because the central character, Maharaja is played by Vijay Sethupathi, a popular actor from South India. The story revolves around a dustbin, which has lot of emotional value for Maharaja, who claims to be a simple hairdresser. However, the dustbin gets stolen. Police are baffled when Maharaja comes to them to file a report for a missing dustbin, inexpensive and old. Actual events that had happened are shown in series of flashbacks with intermittent swings to the present. There are events when Vijay steps out of the simple man version to become someone who is willing to kill, for a purpose that is revealed at the end.

Conceptually it is ok that our past experiences shape our present and future. Life comes boomerang to the villain after he and his friends commit a heinous crime against Maharaja’s daughter. However, continuous harping around a missing dustbin, and finally turning out to be a crime has been poorly designed, I’d say. Also, the director seems unsure about police being an honest force or not. Since it is a dubbed from a Tamil version, there is not much lip sync between dialogues in Hindi, but that is acceptable. Nothing much to look forward to when it comes to locations, because it is mostly shot in police station, in and around Maharaja’s workplace and home. 

Much criticism apart, you may still watch it to form an opinion yourself.          

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Aadujeevitham: The Goat Life

This is a painful tale of a simple villager and his brother who find themselves stranded at an airport, where they arrive after being promised jobs in the Middle East. A stranger takes them away after snatching their passports into the sandy desert. The brothers are separated and put to do jobs they had not imagined. Najeeb (Prithviraj Sukumaran), the protagonist, faces much difficulty in adjusting to the situation – people around him speaking a language he does not understand, without basic amenities, amidst a desert that appears endless, no telephone to contact family or any means to find out about his brother. He loses track of time as he learns his new job as the herd of fleets of camel and goat. There seems to be no hope ahead for him.

Miraculously, he meets his brother and his friend, who help them escape. The second part is about endurance, when the trio embark on an impossible mission – of walking across the desert, without food and water. This part could have been more practical.. like if their savior had managed to smuggle a vehicle for transportation - I mean, who can even dream of walking across a huge desert?

The movie ends abruptly wherein it says that it is not Najeeb alone, but many such youths, who are hoodwinked in the name of work and good pay abroad. Many of them are lost and never return.

As for the acting, Sukumaran does a commendable job as Najeeb. The makeup artist deserves applause too, as he creates the unkempt look of the protagonist and his brother, the white-clad Arabs, and others.      

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Crew

Three airhostesses from different backgrounds and aspirations, played by Tabu, Kareena Kapoor Khan and Kriti Sanon, come together in Kohinoor Airlines. Unfortunately, the airline had not only gone bankrupt but was unable to pay their salaries for long too. Along with their colleagues, they face constant cash crunch, until they choose to do something bold to take charge of their lives. What follows next is indeed a roller coaster ride.

The story draws inspiration from the tale of Kingfisher Airlines which was closed down, leaving the staff stranded. The protagonists realize that they had been tricked only to benefit criminals and decide to mete out a befitting reply to those who had been utilizing them.

The lead actresses look good even though they are in different age groups. A small supporting role by Diljit Dosanjh is also apt. Saswata Chatterjee also looks convincing in his cunning character. Kapil Sharma, in his bid to diversify his visibility, fails to leave a mark in his short appearance.

However much the plot and impressive cast may impress you, and inspite of much media hype and large box office collections, you may find yourself disappointed with the overall execution. The movie probably needed to redo the elaborations and cuts – some sequences look long drawn whereas some parts, including the ending, feel abruptly done. Don’t look for logic or be too critical, enjoy the movie is a one-time watch, no brains required.   

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Mamla Legal Hai

A webseries built around real life challenges faced by lawyers, variety of cases they have to handle, internal politics, and more. Can you imagine witness boxes being moved from one courtroom to another? Or someone being framed for a foul-mouthed pet parrot?

Veteran actor Ravi Kishan, originally from Bhojpuri film industry, plays the central character of V.D. Tyagi, who is also President of Bar Association in Patparganj Court. Donning few streaks of grey, Tyagi is also a smart lawyer who does not hesitate to pull a few strings to his own benefit. The series culminates in V. D. Tyagi losing an election but being offered the role of a judge.

The support cast have also come together to deliver a stellar series on court-room drama, which interwines comedy with many subtle layers. Young actors playing the role of Ananya Shroff (Naila Grewal), Vishwas Pandey (Anant Joshi), Sujata Negi (Nidhi Bisht) have done justice to their characters.   Vijay Rajoria, who plays the role of a senior lawyer Munshiji, adds balance to the series.

Not a drop of vulgarity is there, no cheap jokes, yet this is such a well made comedy series. There are no breathtaking locations, but drab court rooms. Yes, some chambers and homes look swank, but essentially the camera stays in court premises.

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Dunki

The movie opens with Tapsee Pannu in a hospital, that too in an old version. While you are wondering why the heroine is so old, the film quickly goes into flashback mode and Shah Rukh Khan looks out of a train entering a small town in Punjab. Quickly you are introduced to the protagonists, who dream of going abroad in pursuit of better lives for their families. They are also joined by Vicky Kaushal, in a special appearance. All of them enrol for English classes and try honestly to appear for screening exams for Visa. However, only one of them gets through. While questioning the system for screening, Shah Rukh encourages his friends to reach England through illegal means, which bear tremendous risks – Going the Dunki route.

You would love the peppy characters of Tapsee Pannu and her friends. The short role played by Vicky Kaushal will leave your heart bleeding – it has won much recognition already. The greenery of rural Punjab will mesmerize you. However, there is nothing much in the movie for anyone who is not a Shah Rukh fan. If you are part of his fan club, then go for it.

It seems Shah Rukh was shooting for another movie (Jawan) simultaneously with this one, as his make up looks similar to his various versions in the former.

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Shastry virudh Shastry

This is a story about a 7 year old child who lives with his grandparents in a small town, Panchgani. His parents visit in the weekends from the nearest big city, where they have to stay due to their employment. Tiff between parents and grandparents begin when parents want to take their child with them to Mumbai, and grandparents don’t want to let the kid go because they think adequate care cannot be given to him while parents are out of home all day. The rift becomes wider when Malhar, the father, gets a business proposal in the US. The climax culminates in the court when senior Mr. Shastry (Paresh Rawal) files a case on his son, claiming the custody of his grandson.

The story attempts to showcase the challenges faced by working parents, and how they may end up neglecting their kids. One scene where both parents are looking at their phones and the child silently stares at them, tells the tale. The importance of having grandparents, who try their best to support the development of the child, inspite of their own health issues, is also touched upon.

Casting of characters is good. The central character of Yaman Shastry is played by an incredibly cute child. It is a pleasant surprise to see Mimi Chakroborty, a popular actress in Bengali films, in role of Yaman’s mother. Paresh Rawal is brilliant as the grandfather.

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Annapoorani: The Goddess of Food

Lot of controversy started around this film just after I had finished watching it. I failed to understand it at all, because I had loved it a lot.

The story is about a talented girl who goes against traditions to follow her dreams, breaks stereotypes and surpasses all shackles to become a successful chef. The film rides on shoulders of the very lovely Nayanthara, who plays the central character very convincingly. No one rises to the top without the support of family and friends, and Annapoorani is also no exception. She is brought back to her destined path when in doubt in challenging moments..her grandmother stopping her marriage, her friend Farhaan convincing her to cook non vegetarian, her friend’s father attending college instead of her own father, and many more.

 

An unethical act by a jealous chef whom she had almost displaced, results in Annapoorani’s total loss of taste. Devastated, she is on the verge of giving up her profession when her father stands by her and takes her back to Chef Anand, who also happened to be her mentor. Annapoorani takes the setback in her stride and goes on to win a prestigious competition. At the end, she comes back to empower underprivileged women with interest in cooking to  pursue their interests.

So what is the controversy about such an inspiring plot?

Poorani offering namaaz before preparing biriyani: Biriyani was never her forte and Poorani could somehow never get it right however much she tried. Farhaan’s mother, who happened to cook the said dish very well, had once told her that she would cook in her usual way but only after offering namaaz. When faced with the challenge to cook biriyani in the final round of the combination, Poorani seeks blessings from God in the form of a naamaz before starting her preparation. Needless to say, she goes on to win the round and competition. 

Claims that Lord Ram, Sita and Laxman may have consumed meat during their exile in the forest: Tell me why not. They were Kshatriyas. They had weapons with them and killing an animal or two for the sake of survival is not such a bad thing to do. There is no proof to establish the veracity of this theory – it may or may not be true.

Then, why create hype? Does not make sense to me at all.

I loved the movie and I am sure you will too.

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Ahaan

Ahaan is a movie that revolves around an adult with down syndrome. In the fast paced world around him, he is surrounded by a judgemental society, including his parents, who are protective, sometimes much more than required. I have seen first hand how parents of special children feel, how they behave, how protective they are, how affected by social stigma they become. With due respects to them and their grit to face challenges, this movie can give a streak of hope to them.

Free of any false sense of superiority, or inhibitions, Ahaan has aspirations similar to that of normal people: to have a family of his own, a house, car, job, etc. He is befriended by Ozzy, whose wife had left him because of his behavioural issues. As the movie progresses, Ahaan’s simplicity overwhelms not only Ozzy, but the audience as a whole. I could not help loving him.

What do you want to be in 10 years?

There is a scene when Ahaan is being accompanied by Ozzy for a job interview and Ozzy asks him this mock question. His answer is “Ahaan”. I was absolutely floored by authenticity of the response, straight from the heart.

Good acting, believable story-line. A streak of positivity. Also a subtle message to society to be more inclusive towards people with special needs.

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Khufiya

An intelligence agency has identified an internal mole, and wishes to nab him red handed. The intent is also to identify the reason – catch the puppet and puppeteer both. The film is led by Tabu, an actress par excellence. She is not making any attempt to hide her age. Along with her senior officer (Ashish Vidyarthi), she embarks on a journey to uncover the prime suspect, Ravi Mohan, played by Ali Zafar. I have seen him on screen after a very long time and I totally loved Ali’s bespectacled look.

Wamiqa Gabbi comes across a very strong actress too. I had seen her in a small role in Mai, a web series starring Sakshi Tanwar. I have observed her in a TV commercial and in yet another very successful web series (Jubilee). Wamiqa has definitely travelled a long way to reach her present level of acting.

Tabu and her team are surprised to learn that it is not his wife, but his aged mother, who is Ravi’s accomplice in crime. The storyline is tight, and full of twists and turns till the very end. The mission behaves like a sine curve, troughs happen when Ravi manages to smuggle sensitive information across to a rival country, and crests can be sensed when you have him cornered; till he manages to flee again. The fact that everyone has to balance their personal and professional lives is underlined yet again. An extra flavour is added in this thriller for me as quite a few dialogues are spoken in Bengali. You'll love Khufiya also because of the directional excellence of Vishal Bhardwaj.

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The Archies

Do you remember a film called “Chillar Party”, wherein a handful of kids come together to save a stray dog? I found this movie to be similar, only the lead protagonists are young adults (17 year olds), who come together to save a park at  the centre of their town. At that age, confusion around romantic feelings for each other are natural, so that aspect needs to be integrated with the age group at hand.

 

What is the criticism all about?

This film has faced lot of flak because characters are out of a popular comic series and not everyone seems to like humanization of cartoon characters. But what if the name of the film, and the name of the characters had been different? It would have made no difference.

Lot of unnecessary songs.

Indeed, but think of it like a musical. The characters are young, and their minds are in a world of their own. Some song and dance is acceptable.

Nepotism.

There are some star kids, such as Agastya Nanda (son of Shweta Bachchan and grandson of Amitabh Bachchan), Suhana Khan (daughter of Shah Rukh Khan) and Khushi Kapoor (daughter of Sridevi). Criticism goes the camera seems to recognize only three faces, but are they not the central characters? I thought the story tried to recreate the flavour of original comics, where the story revolves around Archie, Veronica, Betty, Reggie, Jughead, etc. The star kids have done justice to their roles, and so have the others. It is their first film, so the criticism has to stop.  

 Did I like the film?

Yes, but I took it as just a movie. It is not Archies comics. It is almost as if Chillar Party kids have grown up.

And Agastya Nanda is so handsome! Wait for him to grow up a bit more, and he would soon have fans swooning for him.

The movie is definitely a one-time watch.

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Resurrection

On a Sunday afternoon, I was in a park, watching my child play with his friend. Another child, few years older than the aforementioned duo, joined them. His mother, almost like a corollary, got talking to us. She could not stop talking about her child’s blog.

I was wondering what I had been doing to the space I had loved so much. Was I focussing on motherhood? Too busy with work-life balance? I am sure there are bloggers who post regularly, in spite of all challenges they face. When there is a will, there will be a way, they say, right? 

It’s time for resurrection.

 

So what is it that I want to talk about? Nothing special. In my regular life, I am someone who has a mundane routine. My life essentially revolves around my kid and office, ends with video calls with my out of station husband and parents. I have developed a habit of watching OTT content on the way to and from office, journeyed mostly in the metro. I have two active subscriptions in Netflix and Amazon Prime. Given the limited time I can devote to these platforms, I am usually alternating between them. I read/ write reviews on Google right after completing a movie or series. Would you like to know my thoughts too?

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